RECORDS: 1 - 25 of 91
Albert Cohen-Saban [music only], 1985-01-10 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11851Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Albert Cohen-Saban [part I], 1985-01-10 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11849Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Albert Cohen-Saban [part II], 1985-01-10 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11850Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Ani ashir lakh Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Track Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Eddie Erani and Ensemble [part I], 1985-08-01 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11853Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Eddie Erani and Ensemble [part II], 1985-08-01 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11854Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Eddie Erani and Ensemble [part III], 1985-08-01 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11855Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview transcripts and fieldnotes
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 2Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Abraham Zalta , 1993-02-04 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11832Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Albert Ashear , 1989-07-19 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11827Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Benjamin Zalta , 1990-03-16 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11828Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Charles Serouya [no recording, transcript only], 1993-08-15
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 2Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with David Tawil, 1985-05-10 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11813Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with David Tawil [Part I], 1984-12-11 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11808Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with David Tawil [Part II] , 1984-12-11 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11809Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Ezra Barnea [no recording, transcript only], 1993-03-10
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 2Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Gabriel Shrem, 1986-01-09 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11817Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Gracia Haber [Part I], 1989-01-31 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11823Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Gracia Haber [Part II] , 1989-01-31 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11824Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Hyman Kaire , 1988-02-17 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11822Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Hyman Kaire, 1985-03-14 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11812Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Isaac Abadi, 1984-11-21 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11805Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Isaac Cain and Ruth Cain , 1992-09-07 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11830Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Joseph Saff, 1984-12-04 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11800Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...
Interview with Joseph Saff , 1985-12-19 Digital
FOUND IN:
Eda Kuhn Loeb Music Library
Item — Box 1, audiocassette: AWM SC 11815Identifier: AWM Spec Coll 96
Scope and Content Note:
The Shelemay Syrian-Jewish Collection, mainly on cassette tapes, contains individual oral histories, live music performances, and ancillary recordings collected as part of a research project on the pizmonim (paraliturgical hymns) of the Syrian Jews. The songs are contrafacta, setting newly composed Hebrew texts to borrowed melodies, mainly from the Arab music tradition.The main field site was Brooklyn, New York, and much of the material was gathered...